The Sense of Music, Bind 1–2Princeton University Press, 1971 - 278 sider This book is addressed to the listener whose enjoyment of music is filled with questions and whose curiosity makes him eager to grasp the sense of music, despite a lack of theoretical training. Unlike the usual listener's guide, which begins with a discussion of the elementary materials of music, this book starts with the elementary experiences of listening. |
Indhold
II | 3 |
III | 11 |
IV | 13 |
V | 16 |
VI | 18 |
VII | 21 |
VIII | 23 |
IX | 25 |
XXXIX | 104 |
XL | 108 |
XLI | 114 |
XLII | 119 |
XLIII | 130 |
XLIV | 137 |
XLV | 139 |
XLVI | 141 |
X | 28 |
XI | 30 |
XII | 34 |
XIII | 36 |
XIV | 38 |
XV | 40 |
XVI | 44 |
XVII | 48 |
XVIII | 51 |
XIX | 52 |
XX | 56 |
XXI | 60 |
XXII | 62 |
XXIII | 64 |
XXIV | 67 |
XXV | 70 |
XXVI | 73 |
XXVII | 75 |
XXVIII | 77 |
XXIX | 80 |
XXX | 83 |
XXXI | 85 |
XXXII | 88 |
XXXIII | 90 |
XXXIV | 92 |
XXXV | 94 |
XXXVI | 96 |
XXXVII | 98 |
XXXVIII | 99 |
Andre udgaver - Se alle
Almindelige termer og sætninger
appears Bach Bach's bass beat Beethoven's beginning cadence called change of center Chri chromatic tones combination consonance consonance and dissonance cresc D major diatonic order different tones dissonance dominant seventh chord duration dynamic center dynamic quality example f sharp fifth flat major fourth Fugue half tone hear homophonic individual instance intervals J. S. Bach listener major scale major triad meaning measure measured music melodic motion melody ment meter metric minor minor second minor third move neighboring tone non-harmonic tones normal octave organization phrase piano piece pitch distance pitch pattern polyphonic music possible question ratio relation repetition represents rhythm rhythmic root Röslein Schubert secondary dominant Section of Scores seems sense sequence seven tone signature single tone Sonata sound string structure succession symbol tenor tension theme thing third tion tonal language tone Î wave whole tone