Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 1–5Indiana University Press, 1979 |
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Side 46
... theme , the theme of the originat- ing experience asserts the prior existence of a complicity with the world which makes it possible to speak about experience in some form of primitive recognition . Both play a similar role of eliding ...
... theme , the theme of the originat- ing experience asserts the prior existence of a complicity with the world which makes it possible to speak about experience in some form of primitive recognition . Both play a similar role of eliding ...
Side 45
... theme of Oedipus , this primordial detec- tive theme per se , continued to have an effect , always criminalistic to be sure , and with the hidden antecedent . A peculiar reverber- ation of this theme thus appeared in the Middle Ages in ...
... theme of Oedipus , this primordial detec- tive theme per se , continued to have an effect , always criminalistic to be sure , and with the hidden antecedent . A peculiar reverber- ation of this theme thus appeared in the Middle Ages in ...
Side 97
... themes . Such a laboratory procedure leads to an abstract execution . Such a work , to the degree that it corresponds to ... theme . 38. In another context ( but already apropos of Potemkin ) Eisenstein had lucidly recog- nized this ...
... themes . Such a laboratory procedure leads to an abstract execution . Such a work , to the degree that it corresponds to ... theme . 38. In another context ( but already apropos of Potemkin ) Eisenstein had lucidly recog- nized this ...
Indhold
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Copyright | |
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analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word