Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 1–5Indiana University Press, 1979 |
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Side 27
... remains dominant in non - fiction films , because of the way they are consumed . And , in some cases , even because of the way they are constructed by the filmmaker himself . Even if you wish to break with fiction , it still remains ...
... remains dominant in non - fiction films , because of the way they are consumed . And , in some cases , even because of the way they are constructed by the filmmaker himself . Even if you wish to break with fiction , it still remains ...
Side 65
... remains necessary to investigate Habermas's own epistemology , bearing in mind the predicament that always informs it . Mathematical formalism , the only means by which we can relate to an increasingly scientized world , provides an a ...
... remains necessary to investigate Habermas's own epistemology , bearing in mind the predicament that always informs it . Mathematical formalism , the only means by which we can relate to an increasingly scientized world , provides an a ...
Side 70
... remains whether Marx deserves this remonstrance , whether Marx's un- doubted concentration upon labor as an ontological category is indeed at the direct expense of a theory of consciousness worthy of the name , as Habermas thinks it is ...
... remains whether Marx deserves this remonstrance , whether Marx's un- doubted concentration upon labor as an ontological category is indeed at the direct expense of a theory of consciousness worthy of the name , as Habermas thinks it is ...
Indhold
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Copyright | |
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analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word