Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 1–5Indiana University Press, 1979 |
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Side 93
... particular , RW 2 , pp . 418 ff . 10. Readers familiar with French semiological theory will have recognized that the Saussurian distinction between langue , parole , and langage is at the origin of the distinc- tion made by Metz between ...
... particular , RW 2 , pp . 418 ff . 10. Readers familiar with French semiological theory will have recognized that the Saussurian distinction between langue , parole , and langage is at the origin of the distinc- tion made by Metz between ...
Side 95
... particular the " genetic " connection postulated by him between frame and montage , and regrets that his position of that period , according to which framing was only a specific instance of montage , would seem to have discouraged any ...
... particular the " genetic " connection postulated by him between frame and montage , and regrets that his position of that period , according to which framing was only a specific instance of montage , would seem to have discouraged any ...
Side 117
... particular by insisting on the flatness of the righthand side of the frame ( Ivan's head ) and the depth of the lefthand side ( the procession ) . Next , and above all , in order to support his argument he has selected a shot which was ...
... particular by insisting on the flatness of the righthand side of the frame ( Ivan's head ) and the depth of the lefthand side ( the procession ) . Next , and above all , in order to support his argument he has selected a shot which was ...
Indhold
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Copyright | |
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analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word