Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 1–5Indiana University Press, 1979 |
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Side 79
... movement takes place . It is a movement between , on one hand , the taking out of an ideological guarantee which leads to glorifying Ivan as a " unifier of the Russian land , " in the same way that Nevsky was glorified , in response to ...
... movement takes place . It is a movement between , on one hand , the taking out of an ideological guarantee which leads to glorifying Ivan as a " unifier of the Russian land , " in the same way that Nevsky was glorified , in response to ...
Side 99
... movement . Plekhanov has already said that in the last analysis all phenomena could be reduced to movement . It is movement which will reveal to us all the deepest levels of internal synchronization , which can be determined ...
... movement . Plekhanov has already said that in the last analysis all phenomena could be reduced to movement . It is movement which will reveal to us all the deepest levels of internal synchronization , which can be determined ...
Side 127
... movement of the accent . In the movement from the icon shown in close - up ( in the abstract , so to speak ) in shot 2 , to the same subject in shot 3 , shown this time in a real decor by the gently swaying light of the lamps , the ...
... movement of the accent . In the movement from the icon shown in close - up ( in the abstract , so to speak ) in shot 2 , to the same subject in shot 3 , shown this time in a real decor by the gently swaying light of the lamps , the ...
Indhold
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Copyright | |
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analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word