Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 1–5Indiana University Press, 1979 |
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Side 95
... important . But I think with Riddles , rather than just saying women are culturally oppressed , and that myths that might seem to be about powerful women actually aren't - rather than just accepting that , what we wanted to do was to ...
... important . But I think with Riddles , rather than just saying women are culturally oppressed , and that myths that might seem to be about powerful women actually aren't - rather than just accepting that , what we wanted to do was to ...
Side 129
... important to ascertain whether fictive resolutions promote reified , false harmonies which obscure social issues , or whether they promote thoughtful inquiry . But it is also important to recognize that the phenomenon under ...
... important to ascertain whether fictive resolutions promote reified , false harmonies which obscure social issues , or whether they promote thoughtful inquiry . But it is also important to recognize that the phenomenon under ...
Side 116
... importance to emphasize clearly the way the principle of montage takes specific form by playing on both terms of the ... important in order to combat an image of Eisenstein which would tend to freeze him in that antonymy , to consider ...
... importance to emphasize clearly the way the principle of montage takes specific form by playing on both terms of the ... important in order to combat an image of Eisenstein which would tend to freeze him in that antonymy , to consider ...
Indhold
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Copyright | |
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analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word