Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 1–5Indiana University Press, 1979 |
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Side 19
... Imaginary as such . The Imaginary doesn't properly exist without a prise en charge [ assumption ] by the Symbolic . In Lacan , the Symbolic is nothing else but the prise en charge of the Imaginary . It is the distinction between levels ...
... Imaginary as such . The Imaginary doesn't properly exist without a prise en charge [ assumption ] by the Symbolic . In Lacan , the Symbolic is nothing else but the prise en charge of the Imaginary . It is the distinction between levels ...
Side 122
... imaginary reciprocity , masquerade , and many traditional symbols about the imagination . The camera reflected in ... imaginary - it doesn't go beyond that - that's what it's raising questions about . It's opening out a space within the ...
... imaginary reciprocity , masquerade , and many traditional symbols about the imagination . The camera reflected in ... imaginary - it doesn't go beyond that - that's what it's raising questions about . It's opening out a space within the ...
Side 116
... imaginary and real involved in the general process of figural representation : involves giving to the imaginary a formal guarantee of the real , but while preserving in the sign the ambiguity of a double object at once true and false.12 ...
... imaginary and real involved in the general process of figural representation : involves giving to the imaginary a formal guarantee of the real , but while preserving in the sign the ambiguity of a double object at once true and false.12 ...
Indhold
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Copyright | |
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analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word