Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 1–5Indiana University Press, 1979 |
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Side 47
... fragment exists as a concept , of course , only as the sum of its definitions , of its " dimensions " ) , we shall define a vertical dimension of the fragment ( and our inspiration here is provided by the famous diagrams in which the ...
... fragment exists as a concept , of course , only as the sum of its definitions , of its " dimensions " ) , we shall define a vertical dimension of the fragment ( and our inspiration here is provided by the famous diagrams in which the ...
Side 51
... fragment like a " new point of view , differentiated from that of the [ preceding ] fragment " ( " Montage of Cine - Attractions , " 1925 ) ; that is , to construct each fragment like a new image of the material filmed , possessing its ...
... fragment like a " new point of view , differentiated from that of the [ preceding ] fragment " ( " Montage of Cine - Attractions , " 1925 ) ; that is , to construct each fragment like a new image of the material filmed , possessing its ...
Side 55
... fragment to the vague notion of shot ( and who , moreover , has written one of the most pertinent articles on the Eisensteinian use of the close - up16 ) , refuses , in a recent text , to envisage the fragment also as shooting : The ...
... fragment to the vague notion of shot ( and who , moreover , has written one of the most pertinent articles on the Eisensteinian use of the close - up16 ) , refuses , in a recent text , to envisage the fragment also as shooting : The ...
Indhold
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Copyright | |
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analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word