Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 1–5Indiana University Press, 1979 |
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Side 22
... desire of the spectator who is there . Are you saying , then , that it's not possible for a given spectator who is unaccustomed to a milieu of experimental films to change the kind of desire he / she has ? M : Yes , the kind of ...
... desire of the spectator who is there . Are you saying , then , that it's not possible for a given spectator who is unaccustomed to a milieu of experimental films to change the kind of desire he / she has ? M : Yes , the kind of ...
Side 40
... desire and power . " The other type of procedures of exclusion is constituted by internal rules " where discourse ... desire and power . ' There is nothing surprising in this since , as psychoanalysis has shown us , speech does not ...
... desire and power . " The other type of procedures of exclusion is constituted by internal rules " where discourse ... desire and power . ' There is nothing surprising in this since , as psychoanalysis has shown us , speech does not ...
Side 91
... desire to create a tradition , a sense of belonging , can overflow into a search for female sensibility , that for instance , films made by women would be linked together in some way , and cross- references would emerge . I think ...
... desire to create a tradition , a sense of belonging , can overflow into a search for female sensibility , that for instance , films made by women would be linked together in some way , and cross- references would emerge . I think ...
Indhold
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Copyright | |
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analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word