Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 1–5Indiana University Press, 1979 |
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Side 46
... course conformed to the procedures established by other practices " by proposing an ideal truth as a law of discourse , and an immanent rationality as the principle of their rationality . They also accompany an ethic of knowledge ...
... course conformed to the procedures established by other practices " by proposing an ideal truth as a law of discourse , and an immanent rationality as the principle of their rationality . They also accompany an ethic of knowledge ...
Side 47
... course , only as the sum of its definitions , of its " dimensions " ) , we shall define a vertical dimension of the fragment ( and our inspiration here is provided by the famous diagrams in which the Nevsky sequence is described in ...
... course , only as the sum of its definitions , of its " dimensions " ) , we shall define a vertical dimension of the fragment ( and our inspiration here is provided by the famous diagrams in which the Nevsky sequence is described in ...
Side 132
... course , for the " political " reasons already touched upon . But also , as has already been mentioned , because of Kourbsky . In shot 39 , it is the evocation of his betrayal ( which has a double meaning , both military and erotic ) ...
... course , for the " political " reasons already touched upon . But also , as has already been mentioned , because of Kourbsky . In shot 39 , it is the evocation of his betrayal ( which has a double meaning , both military and erotic ) ...
Indhold
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Copyright | |
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analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word