Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 1–5Indiana University Press, 1979 |
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Side 50
... cinema of representation was not totally unexpected , it is also true , as Christian Metz put it , that cinema had not been expected to be used to tell stories . " From the beginnings of the cinematograph there were various indications ...
... cinema of representation was not totally unexpected , it is also true , as Christian Metz put it , that cinema had not been expected to be used to tell stories . " From the beginnings of the cinematograph there were various indications ...
Side 52
... cinema is not simply a way of producing discourse . Discourses are embodied in technical pro- cesses , in institutions , in patterns of general behavior , in forms for transmission and diffusion , and in pedagogical forms which , at ...
... cinema is not simply a way of producing discourse . Discourses are embodied in technical pro- cesses , in institutions , in patterns of general behavior , in forms for transmission and diffusion , and in pedagogical forms which , at ...
Side 50
... cinema must not be forgotten [ ... ] . They define the concept of montage as the indispensable language , charged with meaning , and the only possible one for cinema , offering a perfect parallelism with the role of the word in verbal ...
... cinema must not be forgotten [ ... ] . They define the concept of montage as the indispensable language , charged with meaning , and the only possible one for cinema , offering a perfect parallelism with the role of the word in verbal ...
Indhold
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Copyright | |
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analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word