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Side 69
films are meretricious and formulaic , we also find Wong Kar - wei's 1989 As Tears Go By ( a “ gangster " film ) , Stanley Kwan's 1988 Rouge ( a " ghost " film ) , and Tsui Hark's 1992 Once Upon a Time in China Part I ( a “ kung fu ...
films are meretricious and formulaic , we also find Wong Kar - wei's 1989 As Tears Go By ( a “ gangster " film ) , Stanley Kwan's 1988 Rouge ( a " ghost " film ) , and Tsui Hark's 1992 Once Upon a Time in China Part I ( a “ kung fu ...
Side 71
between male friends , in a crumbling world ( this is characteristic of his other films as well ) . ... The popularity of this film – and his others - can be largely explained by this collusion between toughness and sentimentality ...
between male friends , in a crumbling world ( this is characteristic of his other films as well ) . ... The popularity of this film – and his others - can be largely explained by this collusion between toughness and sentimentality ...
Side 72
What we notice most about the film from the opening credits with the shot of multiple television screens incongruously juxtaposed with a neon sign of a China Products department store , to the closing sequence where the shooting of the ...
What we notice most about the film from the opening credits with the shot of multiple television screens incongruously juxtaposed with a neon sign of a China Products department store , to the closing sequence where the shooting of the ...
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Indhold
Tribute to Christian Metz | 3 |
Tornado Breath and Unrighteous | 29 |
Benjamin and Gesture | 46 |
Copyright | |
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