Henry V, War Criminal?: And Other Shakespeare Puzzles
John Sutherland, Lord Northcliffe Professor of Modern English Literature John Sutherland, Karl-Heinz Engel, Cedric Thomas Watts, Emeritus Professor of English Cedric Watts, M a PH D, John M. Sutherland
Oxford University Press, 2000 - 220 sider
'Shakespeare loves loose ends; Shakespeare also loves red herrings.' Stephen Orgel Loose ends and red herrings are the stuff of detective fiction, and under the scrutiny of master sleuths John Sutherland and Cedric Watts Shakespeare's plays reveal themselves to be as full of mysteries as any Agatha Christie novel. Is it summer or winter in Elsinore? Do Bottom and Titania makelove? Does Lady Macbeth faint, or is she just pretending? How does a man putrefy within minutes of his death? Is Cleopatra a deadbeat Mum? And why doesn't Juliet ask 'O Romeo Montague, wherefore art thou Montague?' As Watts and Sutherland explore these and other puzzles Shakespeare's genuius becomes ever more apparent. Speculative, critical, good-humoured and provocative, their discussions shed light on apparent anachronisms, perfromance and stagecraft, linguistics, Star Trek and much else. Shrewd andentertaining, these essays add a new dimension to the pleasure of reading or watching Shakespeare. 'Few modern academics are doing quite so much as Professor Sutherland to connect the "common reader" with great books' Independent
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The watch on the centurions wrist
Desdemonas posthumous speeches
Poor Toms a yokel?
feint or faint?
REAL OR PRETEND III Does Cleopatra really care about
How much time did Richard waste?
whats the issue?
valid or invalid?
vengeful or reconciled?
Why is Shylock unmusical?
Muddle or method?
Shakespeares feminist play?
Angelo guide to sanity?
action Angelo apparently asks assume audience become blood Bottom Caesar called character claim Cleopatra course Criticism dead death Desdemona Duke early Edgar edition Elizabethan evidence example fact father Francis French Ghost give given Gloucester Hamlet hand hath head Hector Henry Holinshed Italy Juliet kill kind King lady later Lear least less lines London look Lord Lost Love's Labour's Macbeth Malvolio marriage matter means Measure mind months murder never night notes opening Othello Oxford World's Classics perhaps play Portia Prince prisoners problem puzzle question reading reference remarks response revenge Richard Romeo says scene seems seen sense sexual Shakespeare speak speech stage suggested taken tell things thou thought Tragedy Troilus turn Venice young