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Side 64
Because this kind of response is so difficult , the mother takes on the characteristics of the real hero , for " it is a decision of the will that enables a mother to submit herself to the reality of other people's needs " ( 158 ) .
Because this kind of response is so difficult , the mother takes on the characteristics of the real hero , for " it is a decision of the will that enables a mother to submit herself to the reality of other people's needs " ( 158 ) .
Side 67
Praying the Doubts Away Here Marshner's text returns relentlessly to the miasma where ambiguity , doubt , and guilt show up for mothers - myself included . For in spite of my recognition of the dangers of this fundamentalist logic ...
Praying the Doubts Away Here Marshner's text returns relentlessly to the miasma where ambiguity , doubt , and guilt show up for mothers - myself included . For in spite of my recognition of the dangers of this fundamentalist logic ...
Side 85
María was a mother with two children . But does that explain or finalize anything ? " María's mother faces the camera to explain that her daughter has suffered nightmares and hallucinations : “ If she had lost a finger or a hand ...
María was a mother with two children . But does that explain or finalize anything ? " María's mother faces the camera to explain that her daughter has suffered nightmares and hallucinations : “ If she had lost a finger or a hand ...
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Womens Cultural Combat | 3 |
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American appear argues audience authority become body breasts calls Christian Cinema constructed context course critical cultural describes desire discourse discussion effects essay example experience fact father feel female feminine feminism feminist Figure film Friedrich gender Gulf hand identity images important individual institutions interest issues Journal Kelly kind lesbian lives look mainstream male Marshner means menopause midlife Moore Moore's mother move narrative never performance play poems poetry political popular position possible present problem produced prostitute question relation representation represented resistance response says scene sexual shows social society speak specific spectator story strategies structures student Studies suggests teacher teaching tell theory tion torture University voice woman women writing York