Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 1Indiana University Press, 1994 |
Fra bogen
Resultater 1-3 af 10
Side 9
... breasts . . . wrong . “ Instead of approaching Perry hesitantly and literally touching her breasts , the man playing the student strode to- wards her and fiercely , with overt erotic impulse , grabbed and held each of her breasts ...
... breasts . . . wrong . “ Instead of approaching Perry hesitantly and literally touching her breasts , the man playing the student strode to- wards her and fiercely , with overt erotic impulse , grabbed and held each of her breasts ...
Side 10
... breasts , the student in the real class- room does by not accepting the teacher's interpretation of what would be appropriate student behavior . Can a man be a student or , to the extent he is a man , is he only always playing a student ...
... breasts , the student in the real class- room does by not accepting the teacher's interpretation of what would be appropriate student behavior . Can a man be a student or , to the extent he is a man , is he only always playing a student ...
Side 13
... breasts become singular : " fleetingly touch a painting - or a breast . " - ― ― As Keyssar imagines it , the only appropriate way to touch the teacher's breasts is to touch the teacher's breast . The prob- lem is that Miller's script ...
... breasts become singular : " fleetingly touch a painting - or a breast . " - ― ― As Keyssar imagines it , the only appropriate way to touch the teacher's breasts is to touch the teacher's breast . The prob- lem is that Miller's script ...
Indhold
Womens Cultural Combat | 3 |
Looking for Lesbians | 16 |
Chris Holmlund | 44 |
7 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
American appear argues audience authority become body breasts calls Christian Cinema constructed context course critical cultural describes desire discourse discussion effects essay example experience fact father feel female feminine feminism feminist Figure film Friedrich gender Gulf hand identity images important individual institutions interest issues Journal Kelly kind lesbian lives look mainstream male Marshner means menopause midlife Moore Moore's mother move narrative never performance play poems poetry political popular position possible present problem produced prostitute question relation representation represented resistance response says scene sexual shows social society speak specific spectator story strategies structures student Studies suggests teacher teaching tell theory tion torture University voice woman women writing York