The Round Table: Characters of Shakespear's PlaysJ.M. Dent & Sons, 1960 - 366 sider |
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Side 5
... things immediately within their observation ; but they have no power of abstraction , no general standard of taste ... things , and to give the preference in all cases to the latter . But , in the first place , the know- ledge of things ...
... things immediately within their observation ; but they have no power of abstraction , no general standard of taste ... things , and to give the preference in all cases to the latter . But , in the first place , the know- ledge of things ...
Side 151
... thing immortal as itself . • Being so majestical , we should do it wrong to offer it the show of violence . " But the best things , in their abuse , often become the worst ; and so it is with poetry when it is diverted from its proper ...
... thing immortal as itself . • Being so majestical , we should do it wrong to offer it the show of violence . " But the best things , in their abuse , often become the worst ; and so it is with poetry when it is diverted from its proper ...
Side 152
... things do not turn out accord- ing to their wishes , they will make their wishes turn round to things . They can easily overlook whatever they do not like , and make an idol of any thing they please . The object of poetry is to please ...
... things do not turn out accord- ing to their wishes , they will make their wishes turn round to things . They can easily overlook whatever they do not like , and make an idol of any thing they please . The object of poetry is to please ...
Indhold
On the Love of Life | 1 |
On Modern Comedy | 7 |
On Mr Keans Iago | 14 |
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actor admiration affections Apemantus appear beauty Beggar's Opera Boccacio Cæsar Caliban character circumstances comedy common contempt Coriolanus critic CYMBELINE death delight Desdemona doth dramatic equal excited eyes Falstaff fame fancy favour fear feeling folly fool friends genius give Gonerill good-natured grace hath hear heart heaven Henry honour Hubert human humour Iago idea imagination indifference interest Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner Marriage a-la-Mode MIDSUMMER NIGHT'S DREAM mind mistress moral nature never noble objects opinion Othello painted painter passages passion persons picture play pleasure poet poetry Prince principle reason refinement Regan Rembrandt Richard Richard II ROMEO AND JULIET scene seems sense sentiment Shakespear shew soul speak spirit stage sweet sympathy taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth whole words writer youth