The Round Table: Characters of Shakespear's PlaysJ.M. Dent & Sons, 1960 - 366 sider |
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Side 16
... play for , like a man who fences with poisoned weapons , and has business enough on his hands to call for the whole stock of his sober circumspection , his dark duplicity , and insidious gravity . He resembles a man who sits down to play ...
... play for , like a man who fences with poisoned weapons , and has business enough on his hands to call for the whole stock of his sober circumspection , his dark duplicity , and insidious gravity . He resembles a man who sits down to play ...
Side 232
... play . He cannot recover from the blow which Antony's generosity gives him , and he dies broken- hearted , a master - leaver and a fugitive ... play as his best resource to shove off , 232 CHARACTERS OF SHAKESPEAR'S PLAYS Hamlet.
... play . He cannot recover from the blow which Antony's generosity gives him , and he dies broken- hearted , a master - leaver and a fugitive ... play as his best resource to shove off , 232 CHARACTERS OF SHAKESPEAR'S PLAYS Hamlet.
Side 300
... play itself is undoubtedly a very powerful effusion of Shake- spear's genius . The ground - work of the character of Richard , that mixture of intellectual vigour with moral depravity , in which Shake- spear delighted to shew his ...
... play itself is undoubtedly a very powerful effusion of Shake- spear's genius . The ground - work of the character of Richard , that mixture of intellectual vigour with moral depravity , in which Shake- spear delighted to shew his ...
Indhold
On the Love of Life | 1 |
On Modern Comedy | 7 |
On Mr Keans Iago | 14 |
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actor admiration affections Apemantus appear beauty Beggar's Opera Boccacio Cæsar Caliban character circumstances comedy common contempt Coriolanus critic CYMBELINE death delight Desdemona doth dramatic equal excited eyes Falstaff fame fancy favour fear feeling folly fool friends genius give Gonerill good-natured grace hath hear heart heaven Henry honour Hubert human humour Iago idea imagination indifference interest Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner Marriage a-la-Mode MIDSUMMER NIGHT'S DREAM mind mistress moral nature never noble objects opinion Othello painted painter passages passion persons picture play pleasure poet poetry Prince principle reason refinement Regan Rembrandt Richard Richard II ROMEO AND JULIET scene seems sense sentiment Shakespear shew soul speak spirit stage sweet sympathy taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth whole words writer youth