The Round Table: Characters of Shakespear's PlaysJ.M. Dent & Sons, 1960 - 366 sider |
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Side 9
... moral dissertations and critical reasonings , by which we confess we are less edified than by other things . Systems and opinions change , but nature is always true . It is the extremely moral and didactic tone of the Spectator which ...
... moral dissertations and critical reasonings , by which we confess we are less edified than by other things . Systems and opinions change , but nature is always true . It is the extremely moral and didactic tone of the Spectator which ...
Side 16
... moral obligation , there are no excesses to which it will not of itself give rise , without the assistance of any other motive , either of passion or self - interest . Iago is only an extreme instance of the kind ; that is , of diseased ...
... moral obligation , there are no excesses to which it will not of itself give rise , without the assistance of any other motive , either of passion or self - interest . Iago is only an extreme instance of the kind ; that is , of diseased ...
Side 125
... moral excellence , and as having carried the attainments of eloquence and wisdom as far as human abilities could go . This he did ( strange as it may appear ) by a negation ( together with the common virtues ) of the common vices of ...
... moral excellence , and as having carried the attainments of eloquence and wisdom as far as human abilities could go . This he did ( strange as it may appear ) by a negation ( together with the common virtues ) of the common vices of ...
Indhold
On the Love of Life | 1 |
On Modern Comedy | 7 |
On Mr Keans Iago | 14 |
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actor admiration affections Apemantus appear beauty Beggar's Opera Boccacio Cæsar Caliban character circumstances comedy common contempt Coriolanus critic CYMBELINE death delight Desdemona doth dramatic equal excited eyes Falstaff fame fancy favour fear feeling folly fool friends genius give Gonerill good-natured grace hath hear heart heaven Henry honour Hubert human humour Iago idea imagination indifference interest Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner Marriage a-la-Mode MIDSUMMER NIGHT'S DREAM mind mistress moral nature never noble objects opinion Othello painted painter passages passion persons picture play pleasure poet poetry Prince principle reason refinement Regan Rembrandt Richard Richard II ROMEO AND JULIET scene seems sense sentiment Shakespear shew soul speak spirit stage sweet sympathy taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth whole words writer youth