The Round Table: Characters of Shakespear's PlaysJ.M. Dent & Sons, 1960 - 366 sider |
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Side 88
... imagination nor reason can properly be said to have been the original predominant faculties of his mind . The strength both of imagination and reason , which he possessed , was borrowed from the excess of another faculty ; and the ...
... imagination nor reason can properly be said to have been the original predominant faculties of his mind . The strength both of imagination and reason , which he possessed , was borrowed from the excess of another faculty ; and the ...
Side 110
... imagination produces the passion , and in the latter the passion pro- duces the imagination . The interest of epic poetry arises from the contemplation of certain objects in themselves grand and beautiful : the interest of dramatic ...
... imagination produces the passion , and in the latter the passion pro- duces the imagination . The interest of epic poetry arises from the contemplation of certain objects in themselves grand and beautiful : the interest of dramatic ...
Side 176
... imagination to matter - of - fact , regulate the passions according to reason , and translate the whole into logical diagrams and rhetorical declamation . Thus he says of Shakespear's characters , in contradiction to what Pope had ...
... imagination to matter - of - fact , regulate the passions according to reason , and translate the whole into logical diagrams and rhetorical declamation . Thus he says of Shakespear's characters , in contradiction to what Pope had ...
Indhold
On the Love of Life | 1 |
On Modern Comedy | 7 |
On Mr Keans Iago | 14 |
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actor admiration affections Apemantus appear beauty Beggar's Opera Boccacio Cæsar Caliban character circumstances comedy common contempt Coriolanus critic CYMBELINE death delight Desdemona doth dramatic equal excited eyes Falstaff fame fancy favour fear feeling folly fool friends genius give Gonerill good-natured grace hath hear heart heaven Henry honour Hubert human humour Iago idea imagination indifference interest Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner Marriage a-la-Mode MIDSUMMER NIGHT'S DREAM mind mistress moral nature never noble objects opinion Othello painted painter passages passion persons picture play pleasure poet poetry Prince principle reason refinement Regan Rembrandt Richard Richard II ROMEO AND JULIET scene seems sense sentiment Shakespear shew soul speak spirit stage sweet sympathy taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth whole words writer youth