The Round Table: Characters of Shakespear's PlaysJ.M. Dent & Sons, 1960 - 366 sider |
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Side 15
... character of Iago , in fact , belongs to a class of characters common to Shakspeare , and at the same time peculiar to him - namely , that of great intellectual activity , accom- panied with a total want of moral principle , and ...
... character of Iago , in fact , belongs to a class of characters common to Shakspeare , and at the same time peculiar to him - namely , that of great intellectual activity , accom- panied with a total want of moral principle , and ...
Side 97
... CHARACTER OF JOHN BULL In a late number of a respectable publication , there is the following description of the French character : - Extremes meet . This is ... Character of Milton's The same Subject continued Character of the late Mr Pitt.
... CHARACTER OF JOHN BULL In a late number of a respectable publication , there is the following description of the French character : - Extremes meet . This is ... Character of Milton's The same Subject continued Character of the late Mr Pitt.
Side 300
... character of Richard , that mixture of intellectual vigour with moral depravity , in which Shake- spear delighted to shew his strength - gave full ... character of the mild , well - meaning monarch . 300 CHARACTERS OF SHAKESPEAR'S PLAYS.
... character of Richard , that mixture of intellectual vigour with moral depravity , in which Shake- spear delighted to shew his strength - gave full ... character of the mild , well - meaning monarch . 300 CHARACTERS OF SHAKESPEAR'S PLAYS.
Indhold
On the Love of Life | 1 |
On Modern Comedy | 7 |
On Mr Keans Iago | 14 |
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actor admiration affections Apemantus appear beauty Beggar's Opera Boccacio Cæsar Caliban character circumstances comedy common contempt Coriolanus critic CYMBELINE death delight Desdemona doth dramatic equal excited eyes Falstaff fame fancy favour fear feeling folly fool friends genius give Gonerill good-natured grace hath hear heart heaven Henry honour Hubert human humour Iago idea imagination indifference interest Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner Marriage a-la-Mode MIDSUMMER NIGHT'S DREAM mind mistress moral nature never noble objects opinion Othello painted painter passages passion persons picture play pleasure poet poetry Prince principle reason refinement Regan Rembrandt Richard Richard II ROMEO AND JULIET scene seems sense sentiment Shakespear shew soul speak spirit stage sweet sympathy taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth whole words writer youth