The Round Table: Characters of Shakespear's PlaysJ.M. Dent & Sons, 1960 - 366 sider |
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Side 16
... actions . - Be it observed , too , ( for the sake of those who are for squaring all human actions by the maxims of ... action of the most difficult and dangerous kind . Our ' Ancient ' is a philosopher , who fancies that a lie that ...
... actions . - Be it observed , too , ( for the sake of those who are for squaring all human actions by the maxims of ... action of the most difficult and dangerous kind . Our ' Ancient ' is a philosopher , who fancies that a lie that ...
Side 123
... action , it grows harsh and crabbed : the mind becomes stagnant , the affections callous , and the eye dull . Man left to him- self soon degenerates into a very disagreeable person . Ignorance is always bad enough ; but rustic ignorance ...
... action , it grows harsh and crabbed : the mind becomes stagnant , the affections callous , and the eye dull . Man left to him- self soon degenerates into a very disagreeable person . Ignorance is always bad enough ; but rustic ignorance ...
Side 299
... action , voice and eye . He seems , like the first Tempter , to approach his prey , secure of the event , and as if success had smoothed his way before him . The late Mr. Cooke's manner of representing this scene was more vehement ...
... action , voice and eye . He seems , like the first Tempter , to approach his prey , secure of the event , and as if success had smoothed his way before him . The late Mr. Cooke's manner of representing this scene was more vehement ...
Indhold
On the Love of Life | 1 |
On Modern Comedy | 7 |
On Mr Keans Iago | 14 |
Copyright | |
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actor admiration affections Apemantus appear beauty Beggar's Opera Boccacio Cæsar Caliban character circumstances comedy common contempt Coriolanus critic CYMBELINE death delight Desdemona doth dramatic equal excited eyes Falstaff fame fancy favour fear feeling folly fool friends genius give Gonerill good-natured grace hath hear heart heaven Henry honour Hubert human humour Iago idea imagination indifference interest Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner Marriage a-la-Mode MIDSUMMER NIGHT'S DREAM mind mistress moral nature never noble objects opinion Othello painted painter passages passion persons picture play pleasure poet poetry Prince principle reason refinement Regan Rembrandt Richard Richard II ROMEO AND JULIET scene seems sense sentiment Shakespear shew soul speak spirit stage sweet sympathy taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth whole words writer youth