The Round Table: Characters of Shakespear's PlaysJ.M. Dent & Sons, 1960 - 366 sider |
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Side 192
... Richard is cruel from nature and constitution . Macbeth becomes so from accidental circumstances . Richard is from his birth deformed in body and mind , and naturally incapable of good . Macbeth is full of the milk of human kindness ...
... Richard is cruel from nature and constitution . Macbeth becomes so from accidental circumstances . Richard is from his birth deformed in body and mind , and naturally incapable of good . Macbeth is full of the milk of human kindness ...
Side 193
... Richard's cruelty , which displays the wanton malice of a fiend as much as the frailty of human passion . Macbeth is goaded on to acts of violence and retaliation by necessity ; to Richard , blood is a pastime . There are other decisive ...
... Richard's cruelty , which displays the wanton malice of a fiend as much as the frailty of human passion . Macbeth is goaded on to acts of violence and retaliation by necessity ; to Richard , blood is a pastime . There are other decisive ...
Side 272
... RICHARD II RICHARD II . is a play little known compared with Richard III . which last is a play that every unfledged candidate for theatrical fame chuses to strut and fret his hour upon the stage in ; yet we confess that we prefer the ...
... RICHARD II RICHARD II . is a play little known compared with Richard III . which last is a play that every unfledged candidate for theatrical fame chuses to strut and fret his hour upon the stage in ; yet we confess that we prefer the ...
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On the Love of Life | 1 |
On Modern Comedy | 7 |
On Mr Keans Iago | 14 |
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actor admiration affections Apemantus appear beauty Beggar's Opera Boccacio Cæsar Caliban character circumstances comedy common contempt Coriolanus critic CYMBELINE death delight Desdemona doth dramatic equal excited eyes Falstaff fame fancy favour fear feeling folly fool friends genius give Gonerill good-natured grace hath hear heart heaven Henry honour Hubert human humour Iago idea imagination indifference interest Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner Marriage a-la-Mode MIDSUMMER NIGHT'S DREAM mind mistress moral nature never noble objects opinion Othello painted painter passages passion persons picture play pleasure poet poetry Prince principle reason refinement Regan Rembrandt Richard Richard II ROMEO AND JULIET scene seems sense sentiment Shakespear shew soul speak spirit stage sweet sympathy taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth whole words writer youth