The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 1. jan. 2002 - 347 sider Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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Side xiv
... memory precisely because it disappears, an art which it shares with thea- ter,” which in its canonical absence (the insubstantial pageant faded) never seems to forget. The order of essays is such that, in the successions of thought ...
... memory precisely because it disappears, an art which it shares with thea- ter,” which in its canonical absence (the insubstantial pageant faded) never seems to forget. The order of essays is such that, in the successions of thought ...
Side xvi
... memory with the Ghost's “ Remember me ” ( 1.5.91 ) , the analyti- cal scenario which follows in the collection — may somehow summon it up . Combining analysis , dialogue , scoring , and a sort of visual poetry , it still conveys much of ...
... memory with the Ghost's “ Remember me ” ( 1.5.91 ) , the analyti- cal scenario which follows in the collection — may somehow summon it up . Combining analysis , dialogue , scoring , and a sort of visual poetry , it still conveys much of ...
Side 9
... memory of a General Strike, what still amounts to a socialist dream: to create an audience of workers, students, and intellectuals. (There were several members of our company from the old San Francisco Labor Theater, and our stage man ...
... memory of a General Strike, what still amounts to a socialist dream: to create an audience of workers, students, and intellectuals. (There were several members of our company from the old San Francisco Labor Theater, and our stage man ...
Side 25
Du har nået visningsgrænsen for denne bog.
Du har nået visningsgrænsen for denne bog.
Side 27
Du har nået visningsgrænsen for denne bog.
Du har nået visningsgrænsen for denne bog.
Indhold
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York