The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 1. jan. 2002 - 347 sider Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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Resultater 1-5 af 51
Side xi
... course , has its liabili- ties , as we could see in the mania of Artaud or , in another register of de- nunciation , the refusal to pay tribute to an “ irresistible force , ” as Brecht made clear in “ A Short Organum , ” in his assault ...
... course , has its liabili- ties , as we could see in the mania of Artaud or , in another register of de- nunciation , the refusal to pay tribute to an “ irresistible force , ” as Brecht made clear in “ A Short Organum , ” in his assault ...
Side xv
... course of which it also describes the various performance sites ( sometimes three or more at once ) in which our work occurred , as well as the cultural atmosphere of the watery twin - peaked city , lyricized by a local columnist as ...
... course of which it also describes the various performance sites ( sometimes three or more at once ) in which our work occurred , as well as the cultural atmosphere of the watery twin - peaked city , lyricized by a local columnist as ...
Side xvi
... course of a year . If what it was in performance has reced- ed into memory with the Ghost's “ Remember me ” ( 1.5.91 ) , the analyti- cal scenario which follows in the collection — may somehow summon it up . Combining analysis ...
... course of a year . If what it was in performance has reced- ed into memory with the Ghost's “ Remember me ” ( 1.5.91 ) , the analyti- cal scenario which follows in the collection — may somehow summon it up . Combining analysis ...
Side 3
... course, the fascination-effect that links fashion and theater, and both have gone through phases where they have also tried to resist it. The puzzle has been made all the more seductive through the twenti- eth century, as fashion became ...
... course, the fascination-effect that links fashion and theater, and both have gone through phases where they have also tried to resist it. The puzzle has been made all the more seductive through the twenti- eth century, as fashion became ...
Side 4
... course , been subject to change , which is its subject . I wrote of the theater long ago as a time - serving form , but with the insubstantial pageant fading , cybernetically , into the feedback sys- tems , it is as if we are dealing ...
... course , been subject to change , which is its subject . I wrote of the theater long ago as a time - serving form , but with the insubstantial pageant fading , cybernetically , into the feedback sys- tems , it is as if we are dealing ...
Indhold
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York