Screen Acting: How to Succeed in Motion Pictures and TelevisionLone Eagle, 1987 - 377 sider |
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Side 37
... Theatre LOS ANGELES : Film Industry Workshops Inc. Vincent Chase Workshop The Nina Foch Studio Tracy Roberts Lee Strasberg Theatre Institute LONDON : Royal Academy of Dramatic Art ( RADA ) SYDNEY : Australian TV Film Industry Workshop ...
... Theatre LOS ANGELES : Film Industry Workshops Inc. Vincent Chase Workshop The Nina Foch Studio Tracy Roberts Lee Strasberg Theatre Institute LONDON : Royal Academy of Dramatic Art ( RADA ) SYDNEY : Australian TV Film Industry Workshop ...
Side 168
... theatre history to the present time , the voice of the actor has been emphasized by teachers and drama critics . Two ... theatre is not for them . Generally speaking , it is because they do not have sufficient voice power to sustain a ...
... theatre history to the present time , the voice of the actor has been emphasized by teachers and drama critics . Two ... theatre is not for them . Generally speaking , it is because they do not have sufficient voice power to sustain a ...
Side 215
... Theatre stage positions , with the exception of center stage , up stage and down stage , are the reverse of screen stage positions . Stage left and stage right positions to the theatre actor mean left and right from his / her point of ...
... Theatre stage positions , with the exception of center stage , up stage and down stage , are the reverse of screen stage positions . Stage left and stage right positions to the theatre actor mean left and right from his / her point of ...
Almindelige termer og sætninger
ability achieve acting actor needs actress agent Alan Ladd angle attention attitudes audience become body Bogart Brando breathing Brian Adams bring camera career Cary Grant casting directors character's client close-up comedy confidence conscious consonants Constantin Stanislavski create creative desire develop dialogue drama dress emotions energy expression eyes fear film gesture give goals Grundy Television he/she his/her Hollywood human Humphrey Bogart IDEAS TO REVIEW impression instrument interview John Gielgud Kirk Douglas Laurence Olivier lines listen look Marlon Brando meaning mental motion picture motivated move movement objectives pause performance personality Peter Sellers physical players playing position posture presentation producer projection pronunciation relaxed requires rhythm role scene screen actor screenplay script shot SLADE sound speak stage character Stanislavski stardom story success SUMMARY OF IDEAS talent technique television theatre things tone Torvill and Dean understanding Vincent Price vocal vowel words writer