Screen Acting: How to Succeed in Motion Pictures and TelevisionLone Eagle, 1987 - 377 sider |
Fra bogen
Resultater 1-3 af 73
Side 249
... LINE RETENTION Memorization of lines should not be the initial part of preparation but the near - end of it . It is pointless to commit dialogue before you have an opportunity to comprehend its meaning . It's dangerous , too . Imperfect ...
... LINE RETENTION Memorization of lines should not be the initial part of preparation but the near - end of it . It is pointless to commit dialogue before you have an opportunity to comprehend its meaning . It's dangerous , too . Imperfect ...
Side 360
... LINES QUIETLY BUT EFFECTIVELY Alan Ladd was a very good screen actor . His deep , resonant voice and good looks , coupled to his low - key acting style , ideally suited the camera . I met him on the set of Boy on a Dolphin , during its ...
... LINES QUIETLY BUT EFFECTIVELY Alan Ladd was a very good screen actor . His deep , resonant voice and good looks , coupled to his low - key acting style , ideally suited the camera . I met him on the set of Boy on a Dolphin , during its ...
Side 361
... LINES AND WILD TRACKS Wild lines are unsynchronized words or lines which the actor reads into a microphone either on the sound stage or on location at the time the sound problem arises or at the completion of shooting in a sound studio ...
... LINES AND WILD TRACKS Wild lines are unsynchronized words or lines which the actor reads into a microphone either on the sound stage or on location at the time the sound problem arises or at the completion of shooting in a sound studio ...
Almindelige termer og sætninger
ability achieve acting actor needs actress agent Alan Ladd angle attention attitudes audience become body Bogart Brando breathing Brian Adams bring camera career Cary Grant casting directors character's client close-up comedy confidence conscious consonants Constantin Stanislavski create creative desire develop dialogue drama dress emotions energy expression eyes fear film gesture give goals Grundy Television he/she his/her Hollywood human Humphrey Bogart IDEAS TO REVIEW impression instrument interview John Gielgud Kirk Douglas Laurence Olivier lines listen look Marlon Brando meaning mental motion picture motivated move movement objectives pause performance personality Peter Sellers physical players playing position posture presentation producer projection pronunciation relaxed requires rhythm role scene screen actor screenplay script shot SLADE sound speak stage character Stanislavski stardom story success SUMMARY OF IDEAS talent technique television theatre things tone Torvill and Dean understanding Vincent Price vocal vowel words writer