The Schenker Project: Culture, Race, and Music Theory in Fin-de-siecle Vienna

Forsideomslag
Oxford University Press, USA, 28. sep. 2007 - 355 sider
Today we think of Heinrich Schenker, who lived in Vienna from 1884 until his death in 1935, as the most influential music theorist of the twentieth century. But he saw his theoretical writings as part of a comprehensive project for the reform of musical composition, performance, criticism, and education-and beyond that, as addressing fundamental cultural, social, and political problems of the deeply troubled age in which he lived. This book aims to explain Schenker's project through reading his key works within a series of period contexts. These include music criticism, the field in which Schenker first made his name; Viennese modernism, particularly the debate over architectural ornamentation; German cultural conservatism, which is the source of many of Schenker's most deeply entrenched values; and Schenker's own position as a Galician Jew who came to Vienna just as fully racialized anti-semitism was developing there. As well as presenting an unfamiliar perspective on the cultural and political ferment of fin-de-siecle Vienna, this book reveals how deeply Schenker's theory is permeated by the social and political. It also raises issues concerning the meaning and value of music theory, and the extent to which today's music-theoretical agenda unwittingly reflects the values and concerns of a very different world.
 

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Indhold

Schenkers Contexts
3
Chapter 1 Foundations of the Schenker Project
29
Chapter 2 The Reluctant Modernist
89
Chapter 3 The Conservative Tradition
140
Chapter 4 The Politics of Assimilation
199
Chapter 5 Beyond Assimilation
246
Music Theory as Social Practice
307
Heinrich Schenker The Spirit of Musical Technique Der Geist der musikalischen Technik
319
References
333
Index
347
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Om forfatteren (2007)


Nicholas Cook is Professor of Music at Cambridge University. He was Professorial Research Fellow in Music at Royal Holloway, University of London, where he directs the AHRC Research Centre for the History and Analysis of Recorded Music (CHARM). He is the author of articles and books on a wide variety of musicological and theoretical subjects (his Music: A Very Short Introduction has been translated into ten languages). He was elected Fellow of the British Academy in 2001.

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