Shakespeare and Scandinavia: A Collection of Nordic StudiesGunnar Sorelius University of Delaware Press, 2002 - 213 sider "One study deals with the Elizabethans' incomplete and erroneous knowledge of Scandinavian geography and the resulting confusion in Hamlet. Another essay discusses the ever-recurring problem of Othello's color. Further studies are concerned with the loose ends and contradictions in Shakespeare's plays and the ways in which these enhance the dramatic effect, and with the architectonic aspects of his drama. On the latter subject special attention is given to The Tempest and Julius Caesar, but other dramas such as Henry V and Hamlet are also considered. One close study of Henry V proposes a "Shakespearean philology" and raises fundamental questions of the relationship between language use and the exercise of power. |
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Side 20
... look at the weave , singling out the warp from the weft , and scrutinize the shafts . Already in act 1 , scene 2 , Caesar comes into a public place with his wife Calpurnia . As is well - known , you do not talk about Caesar's wife , and ...
... look at the weave , singling out the warp from the weft , and scrutinize the shafts . Already in act 1 , scene 2 , Caesar comes into a public place with his wife Calpurnia . As is well - known , you do not talk about Caesar's wife , and ...
Side 24
... Look , with a spot I damn him . " Compare this with Caesar's refusal to pardon Metellus Cimber , which became the excuse for killing Caesar ! Now the two men commit the same crime , without qualms . Nothing changed . In the delineating ...
... Look , with a spot I damn him . " Compare this with Caesar's refusal to pardon Metellus Cimber , which became the excuse for killing Caesar ! Now the two men commit the same crime , without qualms . Nothing changed . In the delineating ...
Side 27
... as well as descriptions , abound in him ; but ' tis in vain we look either for continued purity or simplicity ... of diction . His total ignorance of all theatrical art JULIUS CAESAR : SHAKESPEARE'S HISTORICAL DRAMA 27.
... as well as descriptions , abound in him ; but ' tis in vain we look either for continued purity or simplicity ... of diction . His total ignorance of all theatrical art JULIUS CAESAR : SHAKESPEARE'S HISTORICAL DRAMA 27.
Side 32
... looks upon his vision as an astronomer looks upon the cosmos , where the huge earth has lost its place and become a grain of dust in infinity . There is a diminishing of all di- mensions on all fronts , even down to the limit of the ...
... looks upon his vision as an astronomer looks upon the cosmos , where the huge earth has lost its place and become a grain of dust in infinity . There is a diminishing of all di- mensions on all fronts , even down to the limit of the ...
Side 35
... look upon him in relation to Strindberg's Inferno visions . In the East Antony has been sucked into a world of shadows where he is at the point of losing himself . He appears to the world and to his own consciousness as a shadow of his ...
... look upon him in relation to Strindberg's Inferno visions . In the East Antony has been sucked into a world of shadows where he is at the point of losing himself . He appears to the world and to his own consciousness as a shadow of his ...
Indhold
19 | |
31 | |
Was Othello Black? | 44 |
The Geography ofHamlet | 64 |
Improvisation and Revision in Shakespeares Plays | 72 |
On Construction and Significance in Shakespearean Drama | 90 |
Henry V and the Strength and Weakness of Words Shakespearean Philology Historicist Criticism Communicative Pragmatics | 108 |
Notes on Metrical and Deictical Problems in Shakespeare Translation | 142 |
Observations on Georg Brandess Contribution to the Study of Shakespeare | 148 |
Hamlet and Christian IV of Denmark | 168 |
The Uncertainty of Response | 193 |
Notes on Contributors | 207 |
Index | 209 |
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actors Alf Sjöberg Antony audience AUGUST STRINDBERG battle Brutus Cambridge Cassius character Chorus's Christian Christian IV Cleopatra contemporary Copenhagen Coriolanus court criticism Danes Danish Danish king Danske Danskers Danzig Denmark Desdemona director Dover Wilson Dowden drama drinking edition of Hamlet Elizabethan Elsinore England English essay example fact Folio French Georg Brandes German GUNNAR SORELIUS Harfleur Henry Henry's Horatio human Iago Ibid idea interpretation James Jews Julius Caesar King's language Lear literary literature London look means Merchant of Venice Moor Othello performed perhaps philology Pistol play's poet pragmatics Prince Quarto Queen Renaissance reviewer revised role Royal Dramatic says Scandinavia scene scholars seems seen Shake Shakespeare's plays Shylock sonnets speare speare's speech stage Stockholm Strindberg study of Shakespeare suggest Sweden Swedish theater theatrical Timon Timon of Athens tion tragedy translation Troilus and Cressida University William Shakespeare words writes
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Side 21 - there is no fellow in the firmament.” “So in the world: ‘tis furnished well with men, and men are flesh and blood, and apprehensive; yet in the number I do know but one that unassailable holds on his rank, unshak'd of motion; and. . . I am he!
Side 24 - As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him; but, as he was ambitious, I slew him.
Side 169 - speech: This heavy-headed revel east and west Makes us traduced and taxed of other nations. They clepe us drunkards, and with swinish phrase Soil our addition, and indeed it takes From our achievement, though performed at height, The pith and marrow of our attribute.
Side 59 - in A Midsummer Night's Dream: We, Hermia, like two artificial gods, Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key,...
Side 40 - 0, wither'd is the garland of the war, The soldier's pole is fall'n: young boys and girls Are level now with men: the odds is gone, And there is nothing left remarkable Beneath the visiting moon. (4.15.64—68)
Side 52 - Look you now, what follows; Here is your husband; like a mildew'd ear, Blasting his wholesome brother. Have you eyes? Could you on this fair mountain leave to feed, And batten on this moor?...
Side 32 - Thou hast seen these signs, They are black vesper's pageants. Eros. Ay, my lord. Antony. That which is now a horse, even with a thought The rack dislimns, and makes it indistinct As water is in water. Eros. It does, my lord. Antony. My good knave Eros, now thy captain is Even such a body: here I am Antony; Yet cannot hold this visible shape...
Side 133 - Therefore, you men of Harfleur, Take pity of your town and of your people Whiles yet my soldiers are in my command, Whiles yet the cool and temperate wind of grace O'erblows the filthy and contagious clouds Of heady murder, spoil and villainy.