Words that Count: Essays on Early Modern Authorship in Honor of MacDonald P. JacksonUniversity of Delaware Press, 2004 - 291 sider These essays by leading scholars of early modern attribution, editing, theater, and versification (including Andrew Gurr, Gary Taylor, and Brian Vickers) focus on questions of authorship, authority, and ownership in Marlowe, Peele, Shakespeare, Middleton, Webster and others. Some essays take MacDonald P. Jackson's pioneering work in these fields a stage further, by looking at the critical consequences; others develop new methods, principles, or theoretical positions in determining authorship; still others use new data to extend or challenge Jackson's findings. the University of Auckland. |
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... Five Collaborative Plays ( 2002 ) . looking back on the converging results of a century and a half of attribution studies , singles out Jackson as the " most inventive " scholar in the field . In Words That Count , scholars influenced ...
... Five Collaborative Plays ( 2002 ) . looking back on the converging results of a century and a half of attribution studies , singles out Jackson as the " most inventive " scholar in the field . In Words That Count , scholars influenced ...
Side 21
... five strong dissimilari- ties between the poem and Shakespeare's normal patterns . None of these tests was available to Jackson in 1963 ; together , by Valenza's new calcula- tions , they make the odds of Shakespeare's authorship of the ...
... five strong dissimilari- ties between the poem and Shakespeare's normal patterns . None of these tests was available to Jackson in 1963 ; together , by Valenza's new calcula- tions , they make the odds of Shakespeare's authorship of the ...
Side 25
... five is historically plausible " ) , the need for different kinds of internal evi- dence at different stages of determining attribution , and the need now to pay attention to the least important authors in a collaboration to resolve ...
... five is historically plausible " ) , the need for different kinds of internal evi- dence at different stages of determining attribution , and the need now to pay attention to the least important authors in a collaboration to resolve ...
Side 40
Du har nået visningsgrænsen for denne bog.
Du har nået visningsgrænsen for denne bog.
Side 44
Du har nået visningsgrænsen for denne bog.
Du har nået visningsgrænsen for denne bog.
Indhold
11 | |
29 | |
Aaron in Titus Andronicus | 51 |
The Troublesome Raigne George Peele and the Date | 78 |
Shakespeare Write A Lovers Complaint? The Jackson | 117 |
Not Shakespeare | 141 |
Othello King Lear and the Sacralization | 161 |
The Pattern of Collaboration in Timon of Athens | 181 |
The Structure of The White Devil | 209 |
Stage Directions | 222 |
Thomas Middleton The Spanish Gypsy and Collaborative | 241 |
A Bibliography | 274 |
Notes on Contributors | 281 |
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Aaron Admiral's Admiral's Men Alleyn alliteration Auckland authorship blocks Bloody Banquet Cambridge Univ chronology collaboration contrast Dekker Devil's Law-Case doth Duchess of Malfi early modern echoes edition Edward Elizabethan enclitic English episode examples Faustus Flavius Ford Gary Taylor George Peele Henry Holdsworth internal evidence Jew of Malta John Webster King John King Lear Lake lines Literature London Lord Lover's Complaint Marlowe Marlowe's Middleton and Rowley Middleton canon Middleton-Rowley Nice Valour Notes and Queries Othello Oxford Univ parallels Peele Peele's Pembroke's percent phrase play play's players playwrights plot poem position Press proclitic quarto Renaissance Drama revenge Richard scene scribal servant Shake Shakespeare shouts soldiers Sonnets Spanish Gypsy speare speech stage directions Strange's stressed Sussex's syntactic Tamburlaine Tamora tests textual thee Thomas Thomas Middleton thou Timon Timon of Athens tion Titus Andronicus Titus's Tragedy Troublesome Raigne Valenza verse Vocatives White Devil words wrote
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Side 125 - Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings.
Side 110 - Yes, trust them not: for there is an upstart Crow, beautified with our feathers, that with his Tygers hart wrapt in a Players hyde, supposes he is as well able to bombast out a blanke verse as the best of you: and beeing an absolute Johannes fac totum, is in his owne conceit the onely Shake-scene in a countrey.
Side 68 - And Nadab and Abihu, the sons of Aaron, took either of them his censer, and put fire therein, and put incense thereon, and offered strange fire before the LORD, which he commanded them not. 2 And there went out fire from the LORD, and devoured them, and they died before the LORD.
Side 63 - And so I was; which plainly signified That I should snarl and bite and play the dog. Then, since the heavens have shaped my body so, Let hell make crook'd my mind to answer it. I have no brother, I am like no brother; And this word 'love,' which greybeards call divine, Be resident in men like one another And not in me: I am myself alone.
Side 68 - And Moses and Aaron went into the tabernacle of the congregation, and came out, and blessed the people: and the glory of the LORD appeared unto all the people.
Side 177 - If any man serve me, let him follow me ; and where I am, there shall also my servant be : If any man serve me, him will my Father honour.
Side 163 - STAND fast therefore in the liberty wherewith Christ hath made us free, and be not entangled again with the yoke of bondage.
Side 163 - For he that is called in the Lord, being a servant, is the Lord's freeman : likewise also he that is called, being free, is Christ's servant. 23 Ye are bought with a price; be not ye the servants of men. 24 Brethren, let every man, wherein he is called, therein abide with God.
Side 68 - This is it that the LORD spake, saying, " I will be sanctified in them that ' come nigh me, and before all the people I will be glori' fied."