Words that Count: Essays on Early Modern Authorship in Honor of MacDonald P. JacksonUniversity of Delaware Press, 2004 - 291 sider These essays by leading scholars of early modern attribution, editing, theater, and versification (including Andrew Gurr, Gary Taylor, and Brian Vickers) focus on questions of authorship, authority, and ownership in Marlowe, Peele, Shakespeare, Middleton, Webster and others. Some essays take MacDonald P. Jackson's pioneering work in these fields a stage further, by looking at the critical consequences; others develop new methods, principles, or theoretical positions in determining authorship; still others use new data to extend or challenge Jackson's findings. the University of Auckland. |
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... London theatrical companies at the start of 1590s , the ownership of Marlowe's plays , and the apparent recognition of the dominance of Marlowe and Shakespeare as early as 1594 , ( Continued on back flap ) WORDS THAT COUNT This One ET16 ...
... London theatrical companies at the start of 1590s , the ownership of Marlowe's plays , and the apparent recognition of the dominance of Marlowe and Shakespeare as early as 1594 , ( Continued on back flap ) WORDS THAT COUNT This One ET16 ...
Side 12
... ( London ) produc- tion of The Duchess of Malfi ; and his entries in The Oxford Companion to Twentieth - Century Poetry . Jackson's scholarly career is just now peaking , in the long - awaited appearance of the Oxford Middleton , and his ...
... ( London ) produc- tion of The Duchess of Malfi ; and his entries in The Oxford Companion to Twentieth - Century Poetry . Jackson's scholarly career is just now peaking , in the long - awaited appearance of the Oxford Middleton , and his ...
Side 17
... London to tour the country with Tamburlaine and Doctor Faustus , leaving Marlowe's most popular plays absent from capital and court between 1591 and 1594 . Gurr concludes that when in mid - 1594 the Lord WORDS THAT COUNT : INTRODUCTION 17.
... London to tour the country with Tamburlaine and Doctor Faustus , leaving Marlowe's most popular plays absent from capital and court between 1591 and 1594 . Gurr concludes that when in mid - 1594 the Lord WORDS THAT COUNT : INTRODUCTION 17.
Side 24
... London stage of the 1620s . In order to decide whether the soldiers in 2.2 remained on stage at the end of the scene , or their shout occurs off stage , the editors could draw on Dessen and Thomson's recent Dictionary of Stage ...
... London stage of the 1620s . In order to decide whether the soldiers in 2.2 remained on stage at the end of the scene , or their shout occurs off stage , the editors could draw on Dessen and Thomson's recent Dictionary of Stage ...
Side 26
... ( London : Pen- guin , 1986 ) , 66 . 3. " Pause Patterns in Shakespeare's Verse : Canon and Chronology , " Literary and Lin- guistic Computing 17 ( 2002 ) , 31-46 . 4. Detailed references to works by Jackson and others mentioned in this ...
... ( London : Pen- guin , 1986 ) , 66 . 3. " Pause Patterns in Shakespeare's Verse : Canon and Chronology , " Literary and Lin- guistic Computing 17 ( 2002 ) , 31-46 . 4. Detailed references to works by Jackson and others mentioned in this ...
Indhold
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29 | |
Aaron in Titus Andronicus | 51 |
The Troublesome Raigne George Peele and the Date | 78 |
Shakespeare Write A Lovers Complaint? The Jackson | 117 |
Not Shakespeare | 141 |
Othello King Lear and the Sacralization | 161 |
The Pattern of Collaboration in Timon of Athens | 181 |
The Structure of The White Devil | 209 |
Stage Directions | 222 |
Thomas Middleton The Spanish Gypsy and Collaborative | 241 |
A Bibliography | 274 |
Notes on Contributors | 281 |
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Aaron Admiral's Admiral's Men Alleyn alliteration Auckland authorship blocks Bloody Banquet Cambridge Univ chronology collaboration contrast Dekker Devil's Law-Case doth Duchess of Malfi early modern echoes edition Edward Elizabethan enclitic English episode examples Faustus Flavius Ford Gary Taylor George Peele Henry Holdsworth internal evidence Jew of Malta John Webster King John King Lear Lake lines Literature London Lord Lover's Complaint Marlowe Marlowe's Middleton and Rowley Middleton canon Middleton-Rowley Nice Valour Notes and Queries Othello Oxford Univ parallels Peele Peele's Pembroke's percent phrase play play's players playwrights plot poem position Press proclitic quarto Renaissance Drama revenge Richard scene scribal servant Shake Shakespeare shouts soldiers Sonnets Spanish Gypsy speare speech stage directions Strange's stressed Sussex's syntactic Tamburlaine Tamora tests textual thee Thomas Thomas Middleton thou Timon Timon of Athens tion Titus Andronicus Titus's Tragedy Troublesome Raigne Valenza verse Vocatives White Devil words wrote
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Side 125 - Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings.
Side 110 - Yes, trust them not: for there is an upstart Crow, beautified with our feathers, that with his Tygers hart wrapt in a Players hyde, supposes he is as well able to bombast out a blanke verse as the best of you: and beeing an absolute Johannes fac totum, is in his owne conceit the onely Shake-scene in a countrey.
Side 68 - And Nadab and Abihu, the sons of Aaron, took either of them his censer, and put fire therein, and put incense thereon, and offered strange fire before the LORD, which he commanded them not. 2 And there went out fire from the LORD, and devoured them, and they died before the LORD.
Side 63 - And so I was; which plainly signified That I should snarl and bite and play the dog. Then, since the heavens have shaped my body so, Let hell make crook'd my mind to answer it. I have no brother, I am like no brother; And this word 'love,' which greybeards call divine, Be resident in men like one another And not in me: I am myself alone.
Side 68 - And Moses and Aaron went into the tabernacle of the congregation, and came out, and blessed the people: and the glory of the LORD appeared unto all the people.
Side 177 - If any man serve me, let him follow me ; and where I am, there shall also my servant be : If any man serve me, him will my Father honour.
Side 163 - STAND fast therefore in the liberty wherewith Christ hath made us free, and be not entangled again with the yoke of bondage.
Side 163 - For he that is called in the Lord, being a servant, is the Lord's freeman : likewise also he that is called, being free, is Christ's servant. 23 Ye are bought with a price; be not ye the servants of men. 24 Brethren, let every man, wherein he is called, therein abide with God.
Side 68 - This is it that the LORD spake, saying, " I will be sanctified in them that ' come nigh me, and before all the people I will be glori' fied."