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Side 185
In other words , the form of classical narrative cinema itself gives testimony to the threat to bourgeois order of the disorderly class and gender " othered " audience . In D.W. Griffith and the Origins of American Narrative Film ...
In other words , the form of classical narrative cinema itself gives testimony to the threat to bourgeois order of the disorderly class and gender " othered " audience . In D.W. Griffith and the Origins of American Narrative Film ...
Side 186
to suggest the industrialization of the creative process , and even to emphasize the " force " involved in narrative ( although not , as yet , the coercion ) . This new formulation and period breakdown will not go uncontested .
to suggest the industrialization of the creative process , and even to emphasize the " force " involved in narrative ( although not , as yet , the coercion ) . This new formulation and period breakdown will not go uncontested .
Side 69
As the paragraph explains the ways in which the viewer must cover different sections of the model's face , it builds a sequential narrative from this single static image , providing a slow , teasing " revelation " of the meaning of the ...
As the paragraph explains the ways in which the viewer must cover different sections of the model's face , it builds a sequential narrative from this single static image , providing a slow , teasing " revelation " of the meaning of the ...
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Indhold
Introduction | 3 |
Feminist Theory Goes to Hollywood | 50 |
The Monstrous Union of Virginia Woolf and Marilyn Monroe | 71 |
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Almindelige termer og sætninger
Aboriginal aesthetic American Anita Hill argues artist Barthes Barthes's become Benjamin body boredom Brassaï camera Cindy Sherman cinema contemporary critical critique cyborg D.W. Griffith DC COMICS death Deleuze desire discourse Dracula Duchenne essay example experience face fantasy Father Figure female feminine feminism feminist fetish fiction film gender genre George Michael German gesture homosexuality Hong Kong Hong Kong cinema human identity issues Kristeva language look lyric machine male Marilyn Monroe means medical photography Megan melancholia modern Moffatt Monroe mother Munby myth narrative nation object photographs political popular culture pose postmodern professor psychoanalysis question reality relation representation Roland Barthes Routledge semiotic sexual Sherman social space story Studies Superman Tania Modleski Teleny television theater theory tion Tracey Moffatt tradition Trans truth vampire viewer Virginia Woolf virtual visual woman women writing York