JahrbuchQuelle & Meyer, 1984 |
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Side 56
... lines of dialogue have passed ( Shakespeare takes some trouble to pin - point the exact moment when he rises , in Edgar's speech . " Give me your arm . / Up - so . How is't ? Feel you your legs ? You stand . " ) Should Gloucester sim ...
... lines of dialogue have passed ( Shakespeare takes some trouble to pin - point the exact moment when he rises , in Edgar's speech . " Give me your arm . / Up - so . How is't ? Feel you your legs ? You stand . " ) Should Gloucester sim ...
Side 139
... ( lines 1-19 ) and the list of tributary Kings ( lines 65—76 ) carry no suggestion of popular acclaim or warmth of feeling . The effect is for our benefit , rather than Octavia's , and we are at liberty to feel that Caesar is more ...
... ( lines 1-19 ) and the list of tributary Kings ( lines 65—76 ) carry no suggestion of popular acclaim or warmth of feeling . The effect is for our benefit , rather than Octavia's , and we are at liberty to feel that Caesar is more ...
Side 227
... line , the linear arrangement , determines the dramatic reading or rendering : that two short lines , for example , arranged one under the other read differently from the same lines arranged on the " same " verse line . I suppose they ...
... line , the linear arrangement , determines the dramatic reading or rendering : that two short lines , for example , arranged one under the other read differently from the same lines arranged on the " same " verse line . I suppose they ...
Indhold
NACHRUFE | 9 |
Gespräch mit | 32 |
Genre and Production Problems By E A | 44 |
Copyright | |
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Antony and Cleopatra Antony's Aspekte audience Aufführung becomes Benjamin Britten besonders Bochum Britten Bühne Caesar Caesar's characters Chaucer Chaucer's Cleopatra Cleopatra's comedy comic Cordelia Darmstädter Echo David Esrig deutschen didaktische Dieter Schnabel Drama dramatic Dramen edition Eike Gramss elisabethanischen englischen ersten first Frank Günther Gentlemen of Verona Gerhard Stadelmaier given Globe Gramss Hamlet Inszenierung Interpretation Jahre jewel Jürgen King Lear Komödie Kritiken läßt Lear's Liebe Liebenden London love Macbeth make Maß Midsummer Night's Dream München Musik muß Neue Night Oberon Oper Othello Pandarus Peter play plays Presse Puck Regisseur Richard Romeo and Juliet Romeo und Julia scene Schauspieler schen schließlich Schluß Schwäbische Zeitung seems Shake Shakespeare Shakespeare's Shakespeares Sonette ShJW Situation Sommernachtstraum Sonette Sonnets speare Spielzeit Staatstheater stage storm Stratford Stück Stuttgarter Nachrichten Szene takes Text Theater Theseus thou tion tragedy tragic triumph Two Gentlemen Tytania Übersetzung unserer weiß Wien William Shakespeare Woman world Zadek Zeitung