JahrbuchQuelle & Meyer, 1984 |
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Side 47
... King Lear and Beckett's End- game it was the drifting talk of the middle scenes that he had in mind , parti- cularly Lear's meeting with Gloucester . Peter Brook's subsequent produc- tion of Lear pushed the whole play towards Beckett ...
... King Lear and Beckett's End- game it was the drifting talk of the middle scenes that he had in mind , parti- cularly Lear's meeting with Gloucester . Peter Brook's subsequent produc- tion of Lear pushed the whole play towards Beckett ...
Side 51
... King Lear ) . The blinded Gloucester , groping on his own or clinging to Poor Tom , also exists in a self - enclosed world , and reinforces the play's emphasis upon indi- viduals locked away ... King Lear : Genre and Production Problems 51.
... King Lear ) . The blinded Gloucester , groping on his own or clinging to Poor Tom , also exists in a self - enclosed world , and reinforces the play's emphasis upon indi- viduals locked away ... King Lear : Genre and Production Problems 51.
Side 54
... King Lear . - Recent critics have rightly emphasised the ' resonances ' in King Lear the play's meaningful repetitions and suggestiveness . Such resonances can be found in the other tragedies , but not as an end in themselves ...
... King Lear . - Recent critics have rightly emphasised the ' resonances ' in King Lear the play's meaningful repetitions and suggestiveness . Such resonances can be found in the other tragedies , but not as an end in themselves ...
Indhold
NACHRUFE | 9 |
Gespräch mit | 32 |
Genre and Production Problems By E A | 44 |
Copyright | |
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