Shakespeare's Scholar: Being Historical and Critical Studies of His Text, Characters, and Commentators, with an Examination of Mr. Collier's Folio of 1632D. Appleton, 1854 - 504 sider |
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Side x
... tion , I think , was one called Reed and Johnson's by its American publishers . I opened it eagerly and looked for the comments . The surprise and disap- pointment with which I read them , I will not under- take to tell you . I found ...
... tion , I think , was one called Reed and Johnson's by its American publishers . I opened it eagerly and looked for the comments . The surprise and disap- pointment with which I read them , I will not under- take to tell you . I found ...
Side xxi
... tion of great names . It has been the practice of editors to give the reading which they preferred ; and that this disposition has not died out , is shown by a passage in the North British Review for February , 1854 , in a paper upon Mr ...
... tion of great names . It has been the practice of editors to give the reading which they preferred ; and that this disposition has not died out , is shown by a passage in the North British Review for February , 1854 , in a paper upon Mr ...
Side xxiv
... tion in this form , that we should refrain from mo- dernizing one word in it , ( now hardly used except in a sense directly opposed to that in which Hamlet uses it , ) and reading , " By heaven ! I'll make a ghost of him that stays me ...
... tion in this form , that we should refrain from mo- dernizing one word in it , ( now hardly used except in a sense directly opposed to that in which Hamlet uses it , ) and reading , " By heaven ! I'll make a ghost of him that stays me ...
Side xxv
... tion of an idea , which the original expresses in terms too unequivocal to admit of a moment's doubt in any sane mind . In this style of annotation a passage in the Paradise Lost which describes Ra- phael's visit to Eden would be ...
... tion of an idea , which the original expresses in terms too unequivocal to admit of a moment's doubt in any sane mind . In this style of annotation a passage in the Paradise Lost which describes Ra- phael's visit to Eden would be ...
Side xxvi
... tion , that by our authour ' Milton means Adam , ' whom he thus calls the author of the human race ; ' and should any envious editor or critic object that ' this would make Adam responsible for a more vo- ' luminous and miscellaneous ...
... tion , that by our authour ' Milton means Adam , ' whom he thus calls the author of the human race ; ' and should any envious editor or critic object that ' this would make Adam responsible for a more vo- ' luminous and miscellaneous ...
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Angelo appears authority Banquo beauty better Blackwood's Magazine called character Claudio Collier's folio commentators conjecture copy Coriolanus correction corrector criticism Cymbeline Desdemona doth dramatic Duke Duke of Austria Dyce edition editors emendations evidently eyes Falstaff fool gives Hamlet hath heart heaven Iago Imogen instance Isab Isabella Jaques Johnson Juliet King King of Hungary Knight labors lady learned Macbeth Malone manuscript means Measure for Measure Midsummer Night's Dream misprint nature never obvious original folio original text Othello passage phrase plausible play poet poetry Pope printed proposed quarto readers remarks reply Richard III Romeo Rosalind says SCENE seems sense Shake Shakespeare wrote Shakespeare's day Shakespeare's text Shakesperian Singer soliloquy song speak speech stage stands stanza Steevens strange suggested supposed sweet tell text of Shakespeare thee Theseus thou thought tion Titania typographical error Variorum volume Warburton woman word written
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Side 120 - That to the observer doth thy history Fully unfold. Thyself and thy belongings 30 Are not thine own so proper as to waste Thyself upon thy virtues, they on thee. Heaven doth with us as we with torches do, Not light them for themselves; for if our virtues Did not go forth of us, 'twere all alike As if we had them not.
Side 217 - The lunatic, the lover, and the poet Are of Imagination all compact. One sees more devils than vast hell can hold; That is, the madman. The lover, all as frantic, Sees Helen's beauty in a brow of Egypt. The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as Imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation and a name.
Side 115 - Of thinking too precisely on the event, A thought which, quarter'd, hath but one part wisdom And ever three parts coward, I do not know Why yet I live to say, This thing's to do ; Sith I have cause and will and strength and means To do't.
Side 36 - We still have judgment here; that we but teach Bloody instructions, which, being taught, return To plague the inventor: This even-handed justice Commends the ingredients of our poison'd chalice To our own lips.
Side 217 - Lovers, and madmen, have such seething brains, Such shaping fantasies, that apprehend More than cool reason ever comprehends. The lunatic, the lover, and the poet, Are of imagination all compact. One sees more devils than vast hell can hold ; That is, the madman : the lover, all as frantic, Sees Helen's beauty in a brow of Egypt...
Side 47 - Nor the dejected haviour of the visage, Together with all forms, modes, shows of grief, That can denote me truly; These, indeed, seem, For they are actions that a man might play; But I have that within which...
Side 46 - Ah, dear Juliet, Why art thou yet so fair? Shall I believe That unsubstantial Death is amorous, And that the lean abhorred monster keeps Thee here in dark to be his paramour?
Side 148 - I'll speak all They say, best men are moulded out of faults ; And, for the most, become much more the better For being a little bad : so may my husband.
Side 254 - Bring with thee airs from heaven or blasts from hell, Be thy intents wicked or charitable, Thou com'st in such a questionable shape, That I will speak to thee: I'll call thee Hamlet, King, father, royal Dane, O, answer me!
Side 340 - The heavens themselves, the planets, and this centre, Observe degree, priority, and place, Insisture, course, proportion, season, form, Office, and custom, in all line of order...