The Works of John Ruskin: Modern painters, v.1-5J. Wiley, 1889 |
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Side x
... greater of the ideal Masters .. § 15. Evil results of opposite practice in modern times . § 16. The right use of the model ... PAGE 118 118 119 119 120 121 § 17. Ideal form to be reached only by love . 121 § 18. Practical principles ...
... greater of the ideal Masters .. § 15. Evil results of opposite practice in modern times . § 16. The right use of the model ... PAGE 118 118 119 119 120 121 § 17. Ideal form to be reached only by love . 121 § 18. Practical principles ...
Side 5
... greater than of sword and sedition ; that dependence on God may be forgotten because the bread is given and the water is sure , that gratitude to him may cease because his constancy of protection has taken the semblance of a natural law ...
... greater than of sword and sedition ; that dependence on God may be forgotten because the bread is given and the water is sure , that gratitude to him may cease because his constancy of protection has taken the semblance of a natural law ...
Side 6
... greater part of the ancient churches are used as smithies , or warehouses for goods . So also at Tours ( St. Julien ) . One of the most interesting and superb pieces of middle - age domestic archi- tecture in Europe , opposite the west ...
... greater part of the ancient churches are used as smithies , or warehouses for goods . So also at Tours ( St. Julien ) . One of the most interesting and superb pieces of middle - age domestic archi- tecture in Europe , opposite the west ...
Side 7
... greater part of Giotto's " Satan before God , " has been destroyed by the recent insertion of one of the beams of the roof . The tomb of Antonio Puccinello , which was the last actually put up against the frescoes , and which destroyed ...
... greater part of Giotto's " Satan before God , " has been destroyed by the recent insertion of one of the beams of the roof . The tomb of Antonio Puccinello , which was the last actually put up against the frescoes , and which destroyed ...
Side 9
... greater ; so that the so - called useless part of each profession does by the authorita- tive and right instinct of mankind assume the superior and more noble place , even though books be sometimes written , and that by writers of no ...
... greater ; so that the so - called useless part of each profession does by the authorita- tive and right instinct of mankind assume the superior and more noble place , even though books be sometimes written , and that by writers of no ...
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Andre udgaver - Se alle
Almindelige termer og sætninger
Adamite agreeable Albert Durer Angelico angels animals appearance artist Benozzo Gozzoli bodily body Brera Gallery Chap character Charles Bell Christ clouds color conceive conception Correggio creature degree delight desire dignity Divine Doge's palace effect especially evident evil expression fancy farther fear feeling Fra Angelico function Gentile Bellini Giorgione Giotto glory gradation hand heart heaven human ideal imagination imperfection impressions infinite instance intellect kind landscape Laocoon less light lines look lower Masaccio matter means Michael Angelo mind Mino da Fiesole modes moral mountains nature necessary ness never noble object observed operation painful painter painting passion perception perfect Perugino picture Pitti palace pleasure present proportion pure purity Raffaelle reader received repose respecting rightly seen sense sensual signs spect spirit sublime suppose theoretic faculty things thought Tintoret tion Titian trees trunk truth ture typical beauty unity
Populære passager
Side 91 - One lesson, shepherd, let us two divide, Taught both by what she shows, and what conceals • Never to blend our pleasure or our pride With sorrow of the meanest thing that feels.
Side 39 - From God who is our home. Heaven lies about us in our infancy. Shades of the prison-house begin to close Upon the growing boy; But he beholds the light and whence it flows, He sees it in his joy. The youth who daily farther from the East Must travel, still is Nature's priest, And, by the vision splendid, Is on his way attended. At length the man perceives it die away And fade into the light of common day.
Side 278 - Oh, what a tangled web we weave, When first we practise to deceive...
Side 167 - Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar?
Side 145 - And missing thee, I walk unseen On the dry smooth-shaven Green, To behold the wandering Moon, Riding near her highest noon, Like one that had been led astray Through the Heaven's wide pathless way; And oft, as if her head she bowed, Stooping through a fleecy cloud.
Side 84 - That which doth assign unto each thing the kind, that which doth moderate the force and power, that which doth appoint the form and measure, of working, the same we term a law.
Side 197 - In heaven above thee! Yet like a star, with glittering crest, Self-poised in air thou seems't to rest; — May peace come never to his nest, Who shall reprove thee!
Side 168 - O Proserpina, For the flowers now that frighted thou let'st fall From Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
Side 169 - Who is she that looketh forth as the morning, fair as the moon, clear as the sun, and terrible as an army with banners?
Side 52 - Simon Peter saith unto them, I go a fishing. They say unto him, We also go with thee. They went forth, and entered into a ship immediately; and that night they caught nothing.