Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
Fra bogen
Resultater 1-3 af 70
Side 42
... writing not only works to transform the reader from a passive receiver to an active participant , which is a feature of modernist writing in general , but also makes reading itself a matter of survival , a question of deciphering and ...
... writing not only works to transform the reader from a passive receiver to an active participant , which is a feature of modernist writing in general , but also makes reading itself a matter of survival , a question of deciphering and ...
Side 47
... writing whose speculation about catastrophe also provides a vehicle for remaking language , narrative , and society . Heterogeneity of languages , texts , discourses , rhetorics , cultures , and gender occur not only as a postmodern ...
... writing whose speculation about catastrophe also provides a vehicle for remaking language , narrative , and society . Heterogeneity of languages , texts , discourses , rhetorics , cultures , and gender occur not only as a postmodern ...
Side 49
... writing , here function as the operators of a new symbolic order and not only the recycling of the old . Lessing's writing , understood as an archival process , be- comes the figurative and narrative substitute for the failing Lock ...
... writing , here function as the operators of a new symbolic order and not only the recycling of the old . Lessing's writing , understood as an archival process , be- comes the figurative and narrative substitute for the failing Lock ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
7 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing