Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 73
... whole problem of effectiveness ( = efficacity of the actualizations of the ideological aim ) , the idea of a calculation , of the possibility of a science of this effectiveness , is always implied . And it is this , I believe , this ...
... whole problem of effectiveness ( = efficacity of the actualizations of the ideological aim ) , the idea of a calculation , of the possibility of a science of this effectiveness , is always implied . And it is this , I believe , this ...
Side 74
... whole nation's fantasmatic desire to be granted a second life with a new heart . Organ transplants also nourish quite uncanny fantasies of the body surviving one's own death . In 1985 , for example , the New York Times interviewed a ...
... whole nation's fantasmatic desire to be granted a second life with a new heart . Organ transplants also nourish quite uncanny fantasies of the body surviving one's own death . In 1985 , for example , the New York Times interviewed a ...
Side 101
... whole , bad because it perpetuates the threat of nuclear destruction . This whole is a very strong adversary to its opponents . The old order may even be strong enough to pull the whole species towards disaster . Opposition comes from ...
... whole , bad because it perpetuates the threat of nuclear destruction . This whole is a very strong adversary to its opponents . The old order may even be strong enough to pull the whole species towards disaster . Opposition comes from ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing