Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 90
... thing about this leap that is " qualitative " in his writings is its name . What is striking , on the contrary , is the predilection he manifests for heaping things up quanti- tatively , in his films , but also in the endless lists ...
... thing about this leap that is " qualitative " in his writings is its name . What is striking , on the contrary , is the predilection he manifests for heaping things up quanti- tatively , in his films , but also in the endless lists ...
Side 117
... things separate . Two things can lie close together , and yet each can be regarded separately . Or they are far apart and nonetheless closely refer to each other . " But Anna pro- tests : " Keep things separate , but how ? First the ...
... things separate . Two things can lie close together , and yet each can be regarded separately . Or they are far apart and nonetheless closely refer to each other . " But Anna pro- tests : " Keep things separate , but how ? First the ...
Side 119
... things from being said , since for these things there is no grammatical expression allowing them to be stated , but it also positively makes it obligatory to say other things . Thus , for how many words for which we ourselves would wish ...
... things from being said , since for these things there is no grammatical expression allowing them to be stated , but it also positively makes it obligatory to say other things . Thus , for how many words for which we ourselves would wish ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing