Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 44
... specific films . That is essentially the case with montage ( of which little will be said here since a chapter will be devoted to it at the end of this study ) , the frame , and also the final form taken by the reflections on this topic ...
... specific films . That is essentially the case with montage ( of which little will be said here since a chapter will be devoted to it at the end of this study ) , the frame , and also the final form taken by the reflections on this topic ...
Side 82
... specific nature , it reproduces phenomena according to all the signs of the methods which produce the reflection of reality in the move- ment of the operation of the mind ( there is not a single specific trait of cinematic phenomena or ...
... specific nature , it reproduces phenomena according to all the signs of the methods which produce the reflection of reality in the move- ment of the operation of the mind ( there is not a single specific trait of cinematic phenomena or ...
Side 95
... specific instance of montage , would seem to have discouraged any study of the frame , composition , etc. He therefore announces his inten- tion to do such a study in his essay , and begins , not insignificantly , by talking about a ...
... specific instance of montage , would seem to have discouraged any study of the frame , composition , etc. He therefore announces his inten- tion to do such a study in his essay , and begins , not insignificantly , by talking about a ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing