Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 8
... speak and to speak sound English in a repressed context . It is on the reappropriation of the female voice , on the world of woman talk beautifully conveyed by Bell Hooks in her text that this issue closes . " To make my voice I had to ...
... speak and to speak sound English in a repressed context . It is on the reappropriation of the female voice , on the world of woman talk beautifully conveyed by Bell Hooks in her text that this issue closes . " To make my voice I had to ...
Side 123
... speak then when one was not spoken to was a courageous act - an act of risk and daring . And yet it was hard not to speak in warm rooms where heated discussions began at the crack of dawn , women's voices filling the air , giving orders ...
... speak then when one was not spoken to was a courageous act - an act of risk and daring . And yet it was hard not to speak in warm rooms where heated discussions began at the crack of dawn , women's voices filling the air , giving orders ...
Side 125
... speak and yet to beware of the betrayal of too much heard speech , I experienced intense confusion and deep anxiety in my efforts to speak and write . Reciting poems at Sunday afternoon church service might be rewarded speech . Writing ...
... speak and yet to beware of the betrayal of too much heard speech , I experienced intense confusion and deep anxiety in my efforts to speak and write . Reciting poems at Sunday afternoon church service might be rewarded speech . Writing ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing