Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 22
... social change and instability in which the old nor- mative social and cosmic order of the polis , based on a class strati- fied descent structure , was being undermined by the more univer- salistic ( non - kin based ) forms of ...
... social change and instability in which the old nor- mative social and cosmic order of the polis , based on a class strati- fied descent structure , was being undermined by the more univer- salistic ( non - kin based ) forms of ...
Side 83
... social , economic and ecological relations.3 It is clear that Wilden feels not only that his country is being stran- gled by the weight of externally imposed economic and social forces of domination , but that those forces are connected ...
... social , economic and ecological relations.3 It is clear that Wilden feels not only that his country is being stran- gled by the weight of externally imposed economic and social forces of domination , but that those forces are connected ...
Side 98
... social identity , then the danger of nuclear conflict also disappears . But how are these social conditions relat- ed to the individual condition of oedipality or to the textual condition of narrativity ? The answer may be that both ...
... social identity , then the danger of nuclear conflict also disappears . But how are these social conditions relat- ed to the individual condition of oedipality or to the textual condition of narrativity ? The answer may be that both ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing