Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 46
... question of attributing this central idea of frag- mentation to Eisenstein alone . Moreover , the historical and theoretical importance of Kuleshov's famous experiments , for example , is well known ( although it should be mentioned in ...
... question of attributing this central idea of frag- mentation to Eisenstein alone . Moreover , the historical and theoretical importance of Kuleshov's famous experiments , for example , is well known ( although it should be mentioned in ...
Side 69
... Question of Form The " question " of form is far more than a question . For Eisen- stein it marks the boundaries of a real battlefield , a struggle , and not merely a verbal one , between " work on the form of the work of art " and ...
... Question of Form The " question " of form is far more than a question . For Eisen- stein it marks the boundaries of a real battlefield , a struggle , and not merely a verbal one , between " work on the form of the work of art " and ...
Side 42
... questions raised in this context seem to concentrate around the following set of notions : 1. Diegesis and referent , or the question of the relationships be- tween film and reality . As defined by Souriau in the late forties , and much ...
... questions raised in this context seem to concentrate around the following set of notions : 1. Diegesis and referent , or the question of the relationships be- tween film and reality . As defined by Souriau in the late forties , and much ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing