Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 64
... problem at this stage ( an immediately practical problem , which was expressed in the films ) resides in the tension , not to say the contradiction , between its aggressiveness , its surprise aspect ( its Prolet- kult aspect ) , and its ...
... problem at this stage ( an immediately practical problem , which was expressed in the films ) resides in the tension , not to say the contradiction , between its aggressiveness , its surprise aspect ( its Prolet- kult aspect ) , and its ...
Side 117
... problems of the film and the narrative and enunciative strategies turn : the dialectic of joining and separating , of which - as ... problem of the film is how to learn from the experience of Vietnam , how to extract from history and its ...
... problems of the film and the narrative and enunciative strategies turn : the dialectic of joining and separating , of which - as ... problem of the film is how to learn from the experience of Vietnam , how to extract from history and its ...
Side 26
... problem of tracking them was a problem in probability , for their movements could not be predicted with certainty . One of the first theoreticians to work on the problem was Norbert Wiener , who made the connection between the ability ...
... problem of tracking them was a problem in probability , for their movements could not be predicted with certainty . One of the first theoreticians to work on the problem was Norbert Wiener , who made the connection between the ability ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing