Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 133
... possible a solution ( let us take that word literally , it is the moment when things are resolved or dissolved ) ... possible , as quickly as possible , that is even the prerequisite for every possible effectiveness in his system . ( That ...
... possible a solution ( let us take that word literally , it is the moment when things are resolved or dissolved ) ... possible , as quickly as possible , that is even the prerequisite for every possible effectiveness in his system . ( That ...
Side 73
... possible that a child could move from one given stage to the next , rather than to some quite different stage ? Is is possible that the biological is not that simple ? He answers : There are a set of givens which are made and re - made ...
... possible that a child could move from one given stage to the next , rather than to some quite different stage ? Is is possible that the biological is not that simple ? He answers : There are a set of givens which are made and re - made ...
Side 26
... possible to fragment , manipulate , and reconstitute informational texts at will . For post- modern culture , the manipulation of text and its consequently arbitrary relation to context is our contexty Information theory alone , of ...
... possible to fragment , manipulate , and reconstitute informational texts at will . For post- modern culture , the manipulation of text and its consequently arbitrary relation to context is our contexty Information theory alone , of ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing