Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 20
... particular Georges Auclair , le Mana quotidien : structures et fonctions de la chronique des faits divers ( Paris : Anthropos , 1970 ) , and Roland Barthes , Mythologies ( Paris : Seuil , 1967 ) . 6. Cf. L'Image ( Paris : Julliard ...
... particular Georges Auclair , le Mana quotidien : structures et fonctions de la chronique des faits divers ( Paris : Anthropos , 1970 ) , and Roland Barthes , Mythologies ( Paris : Seuil , 1967 ) . 6. Cf. L'Image ( Paris : Julliard ...
Side 93
... particular , RW 2 , pp . 418 ff . 10. Readers familiar with French semiological theory will have recognized that the Saussurian distinction between langue , parole , and langage is at the origin of the distinc- tion made by Metz between ...
... particular , RW 2 , pp . 418 ff . 10. Readers familiar with French semiological theory will have recognized that the Saussurian distinction between langue , parole , and langage is at the origin of the distinc- tion made by Metz between ...
Side 95
... particular the " genetic " connection postulated by him between frame and montage , and regrets that his position of that period , according to which framing was only a specific instance of montage , would seem to have discouraged any ...
... particular the " genetic " connection postulated by him between frame and montage , and regrets that his position of that period , according to which framing was only a specific instance of montage , would seem to have discouraged any ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing