Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 5
... Narrative is an illusionistic procedure , manipulatory , mystifica- tory , repressive . " 3 A number of important theoretical developments during the sev- enties articulated a similar distrust of narrative , and hence of popu- lar ...
... Narrative is an illusionistic procedure , manipulatory , mystifica- tory , repressive . " 3 A number of important theoretical developments during the sev- enties articulated a similar distrust of narrative , and hence of popu- lar ...
Side 22
... Narrative Form , " Terence Turner gives an ideological inflection and significance to the relation between stasis and event in narrative . He takes issue with Levi - Strauss's emphasis on the synchronic and draws atten- tion to the fact ...
... Narrative Form , " Terence Turner gives an ideological inflection and significance to the relation between stasis and event in narrative . He takes issue with Levi - Strauss's emphasis on the synchronic and draws atten- tion to the fact ...
Side 47
... narrative imaginary . These women writers link the nuclear narrative to a politics of gender that thoroughly displaces the Oedipal narrative - of - conflict with the system by inventing new forms of non - hierarchical mediation and ...
... narrative imaginary . These women writers link the nuclear narrative to a politics of gender that thoroughly displaces the Oedipal narrative - of - conflict with the system by inventing new forms of non - hierarchical mediation and ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing