Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
Fra bogen
Resultater 1-3 af 84
Side 77
... meaning . This is partly because an entry into the symbolic must be compen- sated for by the loss and denial of ... meaning must therefore quickly be recog- nized as one of a number of levels of meaning . There is no direct link between ...
... meaning . This is partly because an entry into the symbolic must be compen- sated for by the loss and denial of ... meaning must therefore quickly be recog- nized as one of a number of levels of meaning . There is no direct link between ...
Side 108
... meaning , to induce specific emotions — takes on an aspect of madness as it forms a parenthe- sis in which " beauty " and " deformity " are given a certain parity by association , yet counterposed as an oxymoron , a crisis in meaning ...
... meaning , to induce specific emotions — takes on an aspect of madness as it forms a parenthe- sis in which " beauty " and " deformity " are given a certain parity by association , yet counterposed as an oxymoron , a crisis in meaning ...
Side 117
... meaning . China seems to resist yielding this meaning , not because it hides it , but more subver- sively , because ( in this respect very un - Confucian ) it defeats the constitution of concepts , themes , names . It does not divide up ...
... meaning . China seems to resist yielding this meaning , not because it hides it , but more subver- sively , because ( in this respect very un - Confucian ) it defeats the constitution of concepts , themes , names . It does not divide up ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
7 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing