Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 22
... male members of the SDS send Anni into the kitchen in the hope of reasserting the traditional division between home and factory , the personal and the political . The behavior of the man who comes . into the room to eat and relax serves ...
... male members of the SDS send Anni into the kitchen in the hope of reasserting the traditional division between home and factory , the personal and the political . The behavior of the man who comes . into the room to eat and relax serves ...
Side 23
... male . Indeed , as the film progresses it becomes increas- ingly difficult to distinguish between the two discourses on any " domestic " issue . Marxism's and capitalism's discursive fellowships seem almost to converge in a profoundly ...
... male . Indeed , as the film progresses it becomes increas- ingly difficult to distinguish between the two discourses on any " domestic " issue . Marxism's and capitalism's discursive fellowships seem almost to converge in a profoundly ...
Side 30
... male gender identity . Female infantile identifications are less predictable than male ones ... the female counterpart of the male identity crisis may occur more diffusely , at a different stage , or not at all . " It seems quite ...
... male gender identity . Female infantile identifications are less predictable than male ones ... the female counterpart of the male identity crisis may occur more diffusely , at a different stage , or not at all . " It seems quite ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing