Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 10
... live , but not in France , which saw it on tape . By abolishing time delays , by unfolding the uncertain action before our very eyes , by miniaturizing personal experi- ence , the live broadcast or telecast manages to strip an event of ...
... live , but not in France , which saw it on tape . By abolishing time delays , by unfolding the uncertain action before our very eyes , by miniaturizing personal experi- ence , the live broadcast or telecast manages to strip an event of ...
Side 74
... live , if not through this mirror which serves as an identity ? She would live- certainly but clouded , dulled , without brilliance . This is exactly what happens when she leaves her city to come to Europe . Outside the Mediterranean ...
... live , if not through this mirror which serves as an identity ? She would live- certainly but clouded , dulled , without brilliance . This is exactly what happens when she leaves her city to come to Europe . Outside the Mediterranean ...
Side 90
... live , if not through this mirror ... ? She would live - certainly - but clouded , dulled , without brilliance . . . ” ( BA 16 ) . “ In Buenos Aires the gaze was like a life - line stretched across the abyss . She always walked on this ...
... live , if not through this mirror ... ? She would live - certainly - but clouded , dulled , without brilliance . . . ” ( BA 16 ) . “ In Buenos Aires the gaze was like a life - line stretched across the abyss . She always walked on this ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing