Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 32
... less and less perceived as a monolithic , ideologically hegemonic institution , the attendant implications for an alternative cinema are now , accordingly , less clear cut . The term " alternative cinema " is vague , especially when it ...
... less and less perceived as a monolithic , ideologically hegemonic institution , the attendant implications for an alternative cinema are now , accordingly , less clear cut . The term " alternative cinema " is vague , especially when it ...
Side 30
... less fixed , less unitary , and more flexible than male individuality , both in its primary core and in the entire maturational complex developed from this core , " but patiently to dismantle the very notion of core ( be it static or ...
... less fixed , less unitary , and more flexible than male individuality , both in its primary core and in the entire maturational complex developed from this core , " but patiently to dismantle the very notion of core ( be it static or ...
Side 42
... less clearly drawn and the décor less detailed , the angle of vision has been widened . This framing effect has a triple result : it sets a greater distance between us and the three women who withdraw further into their retreat ; it ...
... less clearly drawn and the décor less detailed , the angle of vision has been widened . This framing effect has a triple result : it sets a greater distance between us and the three women who withdraw further into their retreat ; it ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing